About this game
The first time Jeanne’s skirt comes off I actually laughed. Not at her, but at the whole situation. Here’s this shy girl with her back against the library shelves, trembling like a leaf, and there it is. You know what I mean. The game doesn’t try to make it some majestic reveal either, it’s just... there. Awkward and real and kind of beautiful in a way that caught me off guard. Diana’s reaction is what sold it though. She doesn’t run. She doesn’t fetishize it. She just touches Jeanne’s cheek and says something so soft I had to put my phone down for a second.
The AI art is janky sometimes. Hands look weird in a few scenes, and one background in the garden has flowers that seem to float above the grass. But the faces. The faces are where the money went. Jeanne’s expression when Diana first kisses her, that mix of terror and desperate hope, I’ve seen that exact look on a real person before. The animations are minimal, mostly just breathing and eye movements, but during the footjob scene under the desk in the empty classroom, the way Jeanne’s toes curl... fuck. I’m not even into feet like that but the tension was insane. Diana’s internal monologue during that part is pure poetry about trust and vulnerability while also being incredibly explicit about what’s happening below frame.
The lesbian content here isn’t just window dressing. The romance between Diana and the other girls at Spring Dawn feels earned, especially the scene where she helps a classmate understand her own desires without any of the usual visual novel bullshit where everyone’s instantly ready to bang. There’s a handjob sequence in the dorm showers that’s so tender it almost made me forget I was playing a porn game. Almost. The creampie ending with Jeanne is messy and emotional and the dialogue afterward, where they just lie there talking about what this means for them as a couple, hit harder than any AAA romance I’ve played this year. The kinetic novel structure means you’re just along for the ride, no choices, and honestly that works here because Diana’s journey of figuring out what love looks like when it doesn’t fit the mold is specific enough that branching paths would’ve diluted it.
The oral scenes are where the AI art really shines though. Something about the way the lighting hits during those moments, the soft glow on skin, the slightly imperfect anatomy that somehow makes it feel more intimate than perfectly rendered 3D models ever could. There’s this one moment where Diana goes down on Jeanne and the text describes the taste and the texture and the vulnerability of it all in this rambling, almost stream-of-consciousness way that felt like reading someone’s actual diary entry. Not polished. Not clean. Just honest.